Category: History

Tim’s Book Blog – Oct 2021

OCTOBER 2021

MONTHLY BLOG/NEWSLETTER
This is UK author Tim Walker’s monthly book blog. It can include any of the following: author news, book launches, guest author profiles, book reviews, flash fiction and poetry.
Are you an author or a poet? If so, then please contact me for a guest author or poet’s corner slot in a future newsletter: timwalker1666@gmail.com

Connect with Tim on social media:

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AUTHOR NEWS

In my news, Guardians at the Wall has sold moderately well on Kindle and in paperback since its June launch, also attracting a good number of page reads on Kindle Unlimited. So far, it has attracted some very positive reviews (and one stinker!).

I’ve held the Kindle price at the launch level to encourage more browsers to click on it – £1.99/$2.99/e2.69.
Paperback £7.99/$8.99 or read on Kindle Unlimited:
AMAZON BOOK LINK

Guardians at the Wall now has a book trailer! 
A friend put me onto his mate who does short trailers for music or books, and he came up with this:

BOOK TRAILER
Please give it a like on YouTube!

Hadrian’s Wall 1900 Festival Short Story Competition
Earlier this year I became aware that there are plans for a festival to mark the 1900th anniversary of the start of the construction of Hadrian’s Wall by the Emperor Hadrian. I most likely heard about it on the Hadrian’s Wall Country website that I’d often visited when doing research for my novel, Guardians at the Wall.

I attended a zoom briefing and found myself volunteering an idea for an activity. I would organise a national short story writing competition on the theme, ‘Life at Hadrian’s Wall in the Roman era’. Do I have any experience of organising and running a short story competition? No. But I was willing to have a go. What I’m hoping for is that the competition will yield a collection of stories set at Hadrian’s Wall in the Roman era that together form a pastiche that evokes a sense of life in Roman Britain. It’s in the back of my mind to getting the permission of those involved to self-publish an anthology of Roman period short stories set at Hadrian’s Wall as a promotion for the festival.

I started by visiting the sites of competitions I had entered in the past and reading their guidelines and conditions. Then I put together my competition rules and guidelines and set about recruiting helpers for the admin and judging. My idea was to approach Roman historical fiction authors for donations of signed copies of their books as prizes. This is going well as so far I have had pledges from Ben Kane, Adrian Goldsworthy and Harry Sidebottom. So, if you want one of these fabulous books signed by the author, then start writing!

I also want to try and find a sponsoring partner for book or gift tokens as additional prizes and to help cover the costs of a prize-giving and reading event, slated for late May 2022. Any suggestions, please get in touch. I’m also convening a judging panel from amongst my indie author contacts and so far have three offers. If you’d like to get involved then contact me. In addition, Sam Taw, the Editor of Historical Times magazine, has agreed to devote the centre spread in the June 2022 issue of the magazine to the festival overview and the winning stories.

But the best way you could help out is by writing a short story and entering it. In the first instance, please send an email to: hadrianswallshortstorycomp@gmail.com to request the rules and guidelines.

I’m still speaking to the organisers to see what help they can give me, particularly in the area of finding a suitable venue near Hadrian’s Wall. It’s still at the planning stage so fingers crossed it will fly!

Historical Times online magazine
If you haven’t already, why not sign up for FREE to the monthly Historical Times magazine. Issue 3 on The Vikings is out now. You’ll find two articles from me in issue 1 – The Romans.

Tim’s Newsletter May 2021

May 2021
This is UK author Tim Walker’s monthly newsletter. It can include any of the following: author news, book launches, guest author profiles, book reviews, flash fiction and poetry.
Are you an author or a poet? If so, then please contact me for a guest author or poet’s corner slot in a future newsletter: timwalker1666@gmail.com
SOCIAL MEDIA
F O L L O W on F A C E B O O K
F O L L O W on T W I T T E R
F O L L O W on I N S T A G R A M
AUTHOR NEWS
In my own news, my new dual timeline historical novel, Guardians at the Wall, has been proof-read, beta-read and copyedited, and will be finalised in early May ahead of a planned 1st June launch. I intend to put the e-book on Amazon Kindle for pre-ordering from 14th May, when the official cover reveal promotion will commence. The paperback and Kindle e-book will be ‘live’ on Amazon from 1st June, although it may be available on Kindle Unlimited before the end of May.
Every independent author needs favourable reviews to entice casual browsers to make a purchase decision. So, should you pre-order the e-book (at the discounted price) from Amazon and wish to start reading right away, please email me to request a pdf (for ipad); epub (for Kobo reader) or mobi file (for Kindle) so you can get started.

Guardians at the Wall blurb:
A group of archaeology students in northern England scrape at the soil near Hadrian’s Wall, once a barrier that divided Roman Britannia from wild Caledonian tribes.

Twenty-year-old Noah makes an intriguing find, but hasn’t anticipated becoming the object of desire in a developing love triangle in the isolated academic community at Vindolanda. He is living his best life, but must learn to prioritise in a race against time to solve an astounding ancient riddle, and an artefact theft, as he comes to realise his future career prospects depend on it.

In the same place, 1,800 years earlier, Commander of the Watch, Centurion Gaius Atticianus, hungover and unaware of the bloody conflicts that will soon challenge him, is rattled by the hoot of an owl, a bad omen.
These are the protagonists whose lives brush together in the alternating strands of this dual timeline historical novel, one trying to get himself noticed and the other trying to stay intact as he approaches retirement.
How will the breathless battles fought by a Roman officer influence the fortunes of a twenty-first century archaeology dirt rat? Can naive Noah, distracted by his gaming mates and the attentions of two very different women, work out who to trust?
Find out in Tim Walker’s thrilling historical dual timeline novel, Guardians at the Wall.

This month’s guest author is S.J. Martin.  

I have had an abiding love of history from an early age. This interest not only influenced my academic choices at university but also my life choices and careers.

I spent several years with my trowel in the world of archaeology before finding my forte as a storyteller in the guise of a history teacher. I wanted to encourage young people to find that same interest in history that had enlivened my life.

I always wanted to write historical fiction. The opportunity came when I left education; I then gleefully re-entered the world of engaging and fascinating historical research into the background of some of my favourite historical periods. There are so many stories still waiting to be told, and my first series of books on ‘The Breton Horse Warriors’ proved to be one of them.

The Breton Lords, such as my fictional Luc De Malvais, played a significant role in the Battle of Hastings and helped to give William the Conqueror a decisive win. They were one of the most exciting troops of cavalry and swordmasters in Western Europe.
I hope you enjoy reading them as much as I have enjoyed writing them.
Author website

Book Blurb:
It is 1071, in an England now harshly ruled and occupied by the Normans. Peace is a distant memory for the Saxon people as rebellions and retribution ravage the land and decimate the population.
Luc De Malvais is the leader of the famed Breton Horse Warriors, a legend in battle, a feared and ruthless swordsman who has spent months quelling the rebellions in Northumberland.

He suddenly finds himself in the eye of the storm in northern England when Alain Rufus orders him to manage and control a large rebel area around Ravensworth. However, it is not long before he is experiencing the full violence of the maelstrom that breaks around his head.

He faces the most dangerous challenges of his life when he finds unexpected forbidden love with a beautiful rebel but encounters a savage and merciless enemy. This brutal Saxon leader intends to take revenge against these invaders. Full of hatred and rage, he resolves not only to drive out the Normans and destroy Malvais, but he wants to make the Horse Warrior suffer before taking both his life and the woman he loves.

Tim Walker’s review of Ravensworth:
A northern village awaits the arrival of the feared Norman conquerors five years on from Hastings. The scene is set for this thrilling tale of love, hate and reconciliation in Ravensworth and the surrounding countryside. The author’s background as an historian shows through in the believable evocation of early Norman England, with their customs and laws being imposed on their new subjects. New Lord of the Manor, Breton Luc de Malvais, falls for the charms of a local beauty, but this leads to many complications that test them both to their limits. A well-researched and written novel that promises much for the unfolding series. Highly recommended.
Amazon book link

This month sees the return of Rick Warren aka Lyrick.

My name is Rick Warren and I enjoy writing stories and poems, mainly for my own enjoyment and as a way of trying to make sense of the world. 

Having stopped work in 2019 to attempt a thriller, (way harder than I imagined), I’m now writing and compiling poems and stories, hopefully putting out a book by the end of the year, to follow on from my first collection of poems “The Path to Redemption” which I self-published on Amazon under my pen name Lyrick.

I have always enjoyed the brevity and concise nature of poems, with their ability to distil sometimes complex thoughts and issues into a succinct and manageable format. Sometimes funny, sometimes not, the process of using fewer words to say more is challenging and one I really enjoy. 
You can see some of my work on my website 
Order your copy of Path to Redemption

Searching the Attic

I wish I’d taken more time to remember the little things, 
Youthful adventures lost, memories unmade sting, 
Small paper cuts of loss,
Disruptions of time and space,
Meaningful moments disappeared, only to reappear, replaced,
With static,
Buried beneath clutter,
In the attic,
Of my mind,

Forgotten phrases, unkind rhymes,
‘neath waves both dark and deep, 
Shipwrecked cargoes of unbound dreams, 
Lay hidden and asleep, 
Undisturbed on mapless shores, 
Beyond a compass’ perceptions reach
We are in no sense, innocent,
As we lay upon this beach

Treasure beyond comprehension… are we brave enough to fight?
To search our past for reasons as to why we hid the light
That once illuminated reason, to why we feel so lost,
Choices, once taken freely, come with a fearful cost,
Have we courage enough to search through our emotional detritus,
What awaits the foolish soul, what demons hide inside us,
Are we willing to awaken, the guardians of memory,
That deny and protect us from our sanity/insanity?
Forge swords of inquisition to fight and learn the truth
Prepare ourselves for battle with the shadows of our youth

Do we really want to remember everything?
Are we prepared for the consequences of all we have done and have ever been?
Sometimes things are hidden for a reason…
Where do we look for answers when questions are all we see?
Past life dreams becoming realities illusion
Caught between cliffs of clarity and confusion  
Between sky and sea, between ice and fire,
Who can escape what they truly desire?

Lyrick 2021

Tim’s Newsletter – March 2021

Newsletter March 2021

This is UK author Tim Walker’s monthly newsletter. It can include any of the following: author news, book launches, guest author profiles, book reviews, flash fiction and poetry.
Are you an author or a poet? If so, then please contact me for a guest author or poet’s corner slot in a future newsletter: timwalker1666@gmail.com

WORLD BOOK DAY – 4TH MARCH 

World Book Day changes lives through a love of books and shared reading. World Book Day is an educational trust whose mission is to promote reading for pleasure, offering every child and young person the opportunity to have a book of their own.

Reading for pleasure is the single biggest indicator of a child’s future success – more than their family circumstances, their parents’ educational background or their income. We want to see more children, particularly those from disadvantaged backgrounds, with a life-long habit of reading for pleasure and the improved life chances this brings them.

World Book Day was created by UNESCO on 23rd April 1995 as aworldwide celebration of books and reading. It is marked in over 100 countries around the globe.

The first World Book Day in the UK and Ireland took place in 1997 to encourage young people to discover the pleasure of reading.

As World Book Day founder, Baroness Gail Rebuck, recalls “We wanted to do something to reposition reading and our message is the same today as it was then – that reading is fun, relevant, accessible, exciting, and has the power to transform lives.”

2021 is the 24th year there’s been a World Book Day, and on 4th March 2021, children of all ages will come together to share the joy of reading for pleasure.

Spending just 10 minutes a day reading and sharing stories with children can make a crucial difference to their future success and it’s fun for all involved.

That’s why World Book Day continues to encourage children and young people to read for pleasure through its work with authors, illustrators, publishers, bookshops and libraries. Authors – make a note to share your books on social media on World Book Day, 4th March 2021. Let’s get them reading!

RESEARCHING MY NEXT BOOK

I have recently completed the first draft of my next novel – Guardians at the Wall. This is dual timeline historical novel set at Hadrian’s Wall. It was inspired by a visit to a number of Roman sites and museums close to Hadrian’s Wall in September 2020. This is very much my Winter 20/21 novel, and it has helped keep me sane through this trying Covid-19 lockdown.
I have set the launch date for 1st June, and intend to reveal the cover in my 1st April newsletter. The book blurb is a work in progress, but this is the current version:

A group of archaeology students in northern England scrape at the soil near Hadrian’s Wall, once a barrier that divided Roman Britannia from wild Caledonian tribes.
Twenty-year-old Noah makes an intriguing find, but hasn’t anticipated becoming the object of desire in a developing love triangle in the isolated academic community at Vindolanda. He is living his best life, but must learn to prioritise in a race against time to solve an astounding 2,000-year-old riddle, and an artefact theft, as if his career depends on it, because it does.

In the same place, in the year 180 C.E., Centurion Gaius Atticianus, hungover and unaware of the bloody conflicts that will soon challenge him, is rattled by the hoot of an owl, a bad omen.
These are the protagonists whose lives will brush together in the alternating strands of this dual timeline historical novel, one trying to get himself noticed and the other trying to stay intact as he approaches retirement.
How will the breathless battles fought by a Roman officer influence the fortunes of a twenty-first century archaeology mud rat? Can naive Noah, distracted by the attentions of two very different women, work out who to trust?
Find out in Tim Walker’s thrilling historical dual timeline novel, Guardians at the Wall.

I have tried to link the contemporary and historical strands of my story through objects and through themes, such as trust, loyalty, societal attitudes and locations. One object that fascinated Noah that is on display in the Vindolanda museum, is fragment of a glass drinking tankard with a hand-painted colour frieze around it depicting gladiators fighting (pictured). In my historical story, Gaius and his mates drink a toast to Saturn on the eve of the Saturnalia festival, downing the ale poured by a serving girl and passing it on to the next in their circle, each having to tell a story of bravery in battle. To think that Roman legionaries over 1,800 years ago would have drunk from this tankard in the tavern outside the walls of Vindolanda fort is amazing to me.
Here is what the Vindolanda guidebook says about this incredible discovery:

“A long strip building, situated just outside the west gate of the fort, was the Vindolanda tavern. here the people of Vindolanda would have been able to enjoy locally brewed beer and wines from across the Empire and hot food. The front of the building, facing onto the street was where the common room or bar was situated. Its ceiling was held up by pillars to provide an open social area, with a small kitchen set behind to supply meals to travellers and patrons. You can imagine this would have been a noisy and smelly room, on of the focal social points of Vindolanda in the 3rd century.

When excavated, the tavern produced the highest concentration of drinking vessels from the site. One of those vessels is a fragment of the beautifully painted gladiator glass cup (now in the museum). The tavern owners had planned for their future by burying 270 coins below the floor of the kitchen. Unfortunately for them they never had the chance to spend the money as it remained hidden until excavators located the hoard in the 1977 excavation. It is likely that some of the money, which you can now see on display in the Vindolanda museum, was used to buy a round or two of beer in the tavern, almost 1,800 years ago.”

Here’s an extract from Guardians at the Wall. It is the scene where Gaius Atticianus, Officer of the Watch, meets auxiliary soldier, Amborix, on the battlements at Vindolanda in 180 C.E. on a cold winter’s night:

“Thank you, sir – although I have been told something different,” Amborix replied, also turning to watch the shimmering lights. He was only a few months at the Wall, and had already spent his meagre wages on woollen socks and a thick tunic he wore day and night. He watched in silence as the mysterious wave of light added in new colours – red, blue, violet and yellow – as it climbed into the night sky. “This is a strange land,” he added, throwing a stone in the direction of a hoot from an owl, “and a cursed one. Our protector, Sol Invictus, will only rise from his slumber for a few short hours.”

Gaius decided to ignore his insolence and let him prattle on. His head still throbbed from the beer he had drunk with his unit at the tavern that afternoon to celebrate the start of the feast of Saturnalia. They had sacrificed a goat to Saturn and had roasted the meat on a spit beside the tavern. Now he regretted the last two toasts, but grinned at the memory of drunken tales of bravery on their last posting in the wild lands north of the Wall. A glass tankard depicting colourful gladiators fighting for their lives had been passed around his carousing mates – each making a toast and downing the contents as a serving girl stood by ready to re-fill it from a pitcher.

“It is indeed a strange and wild land, but you will see in the coming weeks that Sol Invictus will gain more hours and Artemis will sulk in her hall. The long days of summer will come to give me more time with my horses.” He adjusted his shoulder guard and turned to the youth. “In Rome they say this is an empire without end, but here we are, boy, at the wild edge of Empire, hemmed in by the Wall.”

Newsletter – December 2020

DECEMBER 2020

MONTHLY NEWSLETTER
This is UK author Tim Walker’s monthly newsletter. It can include any of the following: author news, book launches, guest author profiles, book reviews, flash fiction and poetry.
Are you an author or a poet? If so, then please contact me for a guest author or poet’s corner slot in a future newsletter: timwalker1666@gmail.com

Author News
I’m closing the year on a high, with the news that my June 2020 historical novel, Arthur Rex Brittonum was short-listed for the Historical Fiction Book of the Year 2020 (early Medieval period) Award in the prestigious Coffee Pot Book Club Awards. I’ll take a runners-up medal in a hard-fought field.
It was reviewed in June by Mary Anne Yarde of the Coffee Pot Book Club and received a ‘Highly recommended’ badge. These were her impressions:
“From the desperate battle at Mount Badon to the harrowing final confrontation at Camlann, Arthur Rex Brittonum by Tim Walker is the enthralling story of the latter half of King Arthur’s reign.
With an engrossing sense of time and place, Walker has presented his readers with a novel that is as rich in historical detail as it is in story.

I was eagerly awaiting the next instalment of Walker’s A Light in the Dark Ages series. I am pleased to report that the wait was most definitely worth it. This book was simply brilliant!”
The author presents his readers with a plausible Arthur – a very human Arthur, who stumbles, falls, makes mistakes and has moments of unbearable guilt.
I thought Walker’s portrayal of Arthur was very authentic in the telling, and he was a character I relish reading about. I highly recommend.”
Available from Amazon in PAPERBACK and KINDLE
Also, in i-books, Kobo, Nook and others

This month’s guest author is Pam Lecky. Pam is an Irish historical fiction author, writing crime, and mystery with a dash of romance. She is represented by the Hardman & Swainson Literary Agency in London and is a member of the Historical Novel Society and the Society of Authors.

Pam has a particular love of the late Victorian era/early 20th Century. Her debut novel, The Bowes Inheritance, was awarded the B.R.A.G Medallion; shortlisted for the Carousel Aware Prize 2016; and long-listed for the Historical Novel Society 2016 Indie Award. Her short stories are available in an anthology, entitled Past Imperfect, which was published in April 2018.

June 2019, saw the release of the first book in the Lucy Lawrence Mystery series, No Stone Unturned, a fast-paced Victorian mystery/crime, set in London and Yorkshire which was recently awarded the B.R.A.G. Medallion. The sequel, Footprints in the Sand, set in Egypt, was released in March 2020. She is currently working on the third book in the series, The Art of Deception, and a new series of WW2 espionage novels.

Pam’s Links:
Amazon
Facebook
Twitter
www.pamlecky.com­­
Instagram
Goodreads 

No Stone Unturned is the first book in Pam’s Victorian series and the e-book has reduced to 99p/99c for the month of December… click the title to buy now!
Also available as AUDIOBOOK (USA only)

Book Blurb: A suspicious death, stolen gems and an unclaimed reward: who will be the victor in a deadly game of cat and mouse?

London October 1886: Trapped in a troubled marriage, Lucy Lawrence is ripe for an adventure. But when she meets the enigmatic Phineas Stone, over the body of her husband in the mortuary, her world begins to fall apart.

When her late husband’s secrets spill from the grave, and her life is threatened by the leader of London’s most notorious gang, Lucy must find the strength to rise to the challenge. But who can she trust and how is she to stay out of the murderous clutches of London’s most dangerous criminal?

Here’s a seasonal extract from my 2018 historical novel, Uther’s Destiny…

Winter Equinox at The Stones

Stars winked in the deep blue blanket above them as the promise of dawn seeped upwards from the distant edge of the World; a golden glow that prompted the start of the ceremony. Druids holding burning brands chanted to the steady beat of hand drums as a line of riders wrapped in bearskin cloaks watched, their breath trails mingling with those of their horses, rising like the souls of the departed buried beneath, making their way in twisting tendrils to the netherworld.
“Merlin, this had better be the sight you have much talked of,” King Uther growled, his horse stamping impatiently on the frozen earth.
“My lord,” Merlin replied, “This is the dawn on midwinter day for which these stones were erected and aligned by the ancients who understood the movements of the sun and moon. We are blessed with a clear sight of the rising sun, and you will soon see it shine through yonder stone portal and light up the altar on which a sacrifice will be made to the goddess Beira for seeing us through another winter…”
“My lord!” Bishop Andreus interrupted, causing Uther to turn to his left.
“What is it?” Uther demanded of the shivering, tonsured priest, his white face peeping out from his cowl.
“Beira is a pagan goddess of the druidic religion of the dark forests, banned by our former Roman masters,” he said through chattering teeth. “It is not long since the people bowed to the Roman god Saturn at their feast of Saturnalia…”
“And what is your point?” Merlin challenged.
“My point is, the Romans have now departed, taking their gods with them! The older ways of the ancients have passed into legend, banished by the one true Christian God to the dark corners of this land. I urge you to turn away from this base pagan bloodletting and embrace this day as the feast day of the birth of our saviour, Jesus the Christ. For our God is the one true light of the world…”
Uther raised a hand to silence him. “Save the sermon for later, bishop. Now let us bear witness to the mysteries of nature revealed to us.”

The smell of incense mixed with sandalwood wafted before them as Merlin pointed, drawing Uther’s attention away from the fretting bishop towards the stone altar and the light now bathing it in an eerie glow. Three druids stepped from the shadows, each holding a struggling creature in one hand and a raised knife in the other. Fowls clucked their desperation and kids screamed as their throats were cut and their blood dripped into silver goblets. The drummers increased their tempo as men and women dressed in animal skins and masks danced around the altar where the druids chanted and held their hands up to welcome the rising sun.
“This is an impressive sight,” Uther said, grinning his pleasure at Merlin. Bright yellow sunlight was illuminating a hitherto unseen ceremonial avenue bounded by rounded stones from east to west, cutting through the centre of the stone circle.
A golden shaft beamed through the windows of the largest pairs of standing stones on opposing sides of the circle, now in perfect alignment with the rising sun, like a bolt from the gods.
“From this day onwards, our days grow longer,” Merlin said, “and hope is restored to the people after the darkness of winter, and the earth is reborn.”
“You are forgiven for calling me out on such a cold night,” Uther said to Merlin, a broad smile cracking his frozen beard. He turned his horse to signal his readiness to leave and remarked to Bishop Andreus: “And, dear Bishop, we shall pray to the baby Jesus in our church, then progress to our hall where we shall raise a goblet to ALL the gods that they may grant us success in our campaign against the Saxons. Onwards!”

Newsletter – May 2019

Arthur Dux Bellorum Wins Book Awards

April proved to be a good month for Arthur Dux Bellorum, book four in A Light in the Dark Ages series. It has been well-received with positive reviews on both Amazon and Goodreads, and two book awards from notable sources. Here are the awards citations:

The Coffee Pot Book Club Award

“Following in the footsteps of the great Arthurian authors, Walker has penned a story that is as rich in historical detail as it is in all its mythological traditions. Drawing on the works of Monmouth, Nennius and Welsh folklore, he has presented a hero who has to desperately fight a seemingly invincible foe to win his throne and take his place in British history.

Walker’s compelling narrative caught my attention from the opening sentence. The author’s careful blend of mystery, treachery, deceit, war, honour, and the knightly code made this book unputdownable. The skilfully described battle scenes were so real in the telling that I could almost taste the terror and the chaos as our intrepid hero fought for not only his life, but for the throne and the kingdom which was rightfully his. All of which is set against a very believable historical backdrop.

The forces of good and evil run through the heart of this book. Morgana’s desire for power is as seemingly unstoppable as the tide. She is determined to secure her son’s throne. However, one could surmise that it is not in Mordred’s interest that Morgana is so despotic in her ambition to vanquish her enemies, but in her own insatiable lust for power. Morgana is often portrayed as the anti-hero in the story of Arthur, but I thought Walker brought a refreshingly new take on the character. She is deplorable, but at the same time she drives this story forward, and I found myself holding my breath as she continued to plot and scheme to thwart her adversaries.

In comparison to Morgana, her half-siblings, and in particular Artorius (the young Arthur), came across as level headed and for the most part compassionate. Artorius does struggle with some of the things he has done, particularly in the heat of battle, which I think gave his character a tremendous depth, and made him very believable.

Likewise, Merlyn was a character I enjoyed reading about. His ingenuity and his use of the tools available to him made his story compulsively readable. I enjoyed following his progression throughout this wonderful book.

There are several secondary characters that fans of Arthurian fiction will be familiar with — Gawain, Percival, Bors and Tristan — all of whom Artorius looks up to for advice. I thought these characters were well fleshed, and I look forward to reading more about them in the next edition of this remarkable series.

Like a heroic poem from times of old, Tim Walker’s Arthurian saga continues to mesmerise. A must read for those who love everything Arthurian, but also for those who have a keen interest in the Dark Ages. I Highly Recommend.

Review by Mary Anne Yarde
The Coffee Pot Book Club, April 2019

One Stop Fiction Book Award

“This is a very well written reinvention of the myth that portrays Arthur not as a superhero but as a sometimes-conflicted young man. He is not quite sure that he is meant to be king but is led by Merlyn to accept his role. He questions his paternity, is often disgusted by the brutality he witnesses, and yet becomes an inspirational leader of men.

Many of the familiar characters are present in Arthur Dux Bellorum: Merlyn, Gawain, Percival, Geraint, Gunamara (Guinevere), Morgana, and Mordred. Mainly these characters are fleshed-out to be well-defined and human.

It would be interesting to see what the author would do with the later Arthur and Gunamara story as well as with the legend of the Round Table.

The story moves at a fast pace with several battle scenes that were marvellous to read. The narrative switches points of view between Arthur and his mother and sisters who are living in the shadow of Morgana and Mordred. This alternation serves well to highlight the attempts to unify the British tribes under one rule.

One of the best aspects of the novel is the picture it paints of Britain after the Romans had left. This is a divided and beset land, subject to invasion by outsiders and by wars between rival tribes. It was very interesting to learn that parts of the Roman legacy remained in surviving towns and forts and in military tactics. The conflicts between the old and new religions, between warring chieftains, between Britons and the foreign invaders were all beautifully set out.

As an American reader, I often found myself wondering exactly where in England the story was taking place. For authenticity, it is important to use the names of towns as they were at the time. However, it was a bit difficult, even with the author’s list of place names at the beginning of the novel, to follow the movement of Arthur’s company. Because of that, I would strongly recommend that anyone who reads this read it in a hard cover or paperback edition and not on an e-reader. Readers who like to follow the plot with maps of the area should avoid will find it impossible to read the maps that appear on the e-reader edition.

This is a small complaint, but it is nearly impossible to find anything to dislike about this book.

The author is to be applauded for making yet another re-telling of the Arthurian legend fascinating and suspenseful. I would very much like to see one more book in the series to bring the rest of the legend to life. Arthur Dux Bellorum is a highly recommended book and winner of the One Stop Fiction Book Awards.”

By Kathleen Lance, Book Reviewer, onestopfiction.com

Welcome to Poet’s Corner, Richard Tyner

One of the Herschel Arms Poets, Richard was born in the boondocks outside of the town of Westport, Co Mayo, Ireland. He has very fond memories of growing up in Ros Beg and indeed the first eighteen years of life in rural tranquillity.

Richard does not see himself as a poet and if pushed describes his work as that of a rhymer. It has long been his ambition to write songs. As he said they were just rhymes, until my talented friends gave them tunes.

One of his collaborators has uploaded two of the songs to Soundcloud. Search for them under the names of Bogman and Ian Brown UK.

Thinking back his first writing was in the years 1972 to 1976. First date is Marriage, second date birth of first child. In true fashion he put aside foolish activities and concentrated on career and family.

He is pleased to report that hardly any of his rhymes from back in those days have survived. The memory of living in Ireland is forever in his heart and in order to maintain his accent he visits there whenever he gets the chance.

In 1967 his Mother took her 8 children to Peterborough England. Richard started work as a computer operator, then, after ten years, moved to Shell Oils. Closure of the local office necessitated a change of career, this time resulting in a management role in a publishing house. He was head hunted by the TSB to work in Norfolk as an investment advisor. Two years later he became self employed and continued as an IFA until the onset of Parkinson’s brought about early retirement. He has since then been busier and happier than any other period of his life.

Married forty-seven years he counts himself lucky and is still trying to figure out why his wife is still with him. Cheryl has been heard to say, “that he would trouble the patience of a saint”.

He loves music across all genres but admits his guilty pleasure is Country music citing the likes of Waylon and Willie. Townes van Zant, Hank Williams. He is a mean quizzer specialising in songs and bands of the 60’s and 70’s. He likes travel and wishes he had rhythm, balance and a bigger pension.

A SONG WITHOUT WORDS

I wrote a song that had no words

Just the sighing of trees

The chirrup of birds.

The rhythm of rain

 Turning into snow

Bluebells in dells

A choir of crows

Humming honey bees

Harmonise with the breeze

Waltzing holly hocks

A flotilla of leaves

Sprites using dandelions

To tell the time

Cascading waterfalls

Crescendo and climb

 songs of the rivers

as they flow through the glens

Sometimes angry at the way of men

This world is an opera

The finest ever heard

It has no conclusion

An aria without words.                   

ALL THOSE YEARS AGO (Westport)

I am not sure why I am here

I am not sure what it all means

Time goes around in circles

I live my life in dreams.

I was born by the ocean side

I never learned to swim

A flat stone leaving ripples

Won’t you follow the circles in.

I met you all those years ago

In a city far from the sea

You fed me a breakfast

I stayed for lunch and tea.

Your bark and bite are the same

Not all lines are on my face

Father hear my confession

So I can die in a state of grace.

Mother hear me calling

In the hills above the clouds

Father won’t you tell me

Why were you alone in crowds?

Its almost gone full circle

I am in the dying years

I have questions without answers

I weep without the tears

The breeze is blowing cold

I stand on Ros Beg shore

I hear the curlew calling

It will soon be time to go.

This place is in my heart

I fished here many times

Some came here before me

Many more will bait their lines

I wonder if they listened

To wiser men than me

Will they take greater care

So this world’s a better place to be.

NO TIME FOR REGRETS

I have no need of clocks or watches

It’s enough to know night from day

Sometimes I only sleep for minutes

To dream in blues and pastels grey

I often think of my old friends

It was my luck to know

Of the country where I was born

Those generations that had to go.

Mothers at the garden gate,

 Letter’s that never come

Waiting for the return

Of their husband or a son.

In time they would return

These restless worn out men,

To walk alone along the shore

Stopping every now and then

I sometimes shook a hand

Occasionally shared a glass

Those that talked were rare at all

Most let the moment pass

They had lived so long alone

The need to send home pay

Turning boys into bitter men

They got lost along the way.

They do not seem to notice

Life is passing fast, but

You cannot foretell the future

You cannot change the past

Once more the young are leaving

Hearts heavy as a stone

They gather in their ghettos

To sing their songs of home.

Instead live every moment

Let your life take flight

Live like there is no tomorrow

One of these day’s you will be right!!!

© R G Tyner 26/09/2018

A Brief History of Postcards

Postcards from London is the new book of short stories from Tim Walker, but what are the origins of the picture postcard? Since the advent of the digital age and messaging via e-mail, it is now far more common for pictures to be taken on phones and sent with a message via the internet. The age of the picture postcard posted with a postage stamp affixed, seems consigned to the history books.

http://myBook.to/PostcardsFromLondon

Cards with messages had been sporadically created and posted by individuals since the beginning of postal services. The earliest known picture postcard was a hand-painted design on card, posted in Fulham in London by the writer Theodore Hook to himself in 1840, and bearing a penny black stamp.

He probably created and posted the card to himself as a practical joke on the postal service, since the image is a caricature of workers in the post office. In 2002 the postcard sold for a record £31,750.

In Britain, postcards without images were issued by the Post Office in 1870, and were printed with a stamp as part of the design, which was included in the price of purchase. The first known printed picture postcard, with an image on one side, was created in France in 1870 at Camp Conlie by Léon Besnardeau (1829–1914). Conlie was a training camp for soldiers in the Franco-Prussian war. The cards had a lithographed design printed on them containing emblematic images of piles of armaments on either side of a scroll topped by the arms of the Duchy of Brittany and the inscription, ‘War of 1870. Camp Conlie. Souvenir of the National Defence. Army of Brittany’. While these are certainly the first known picture postcards, there was no space for stamps and no evidence that they were ever posted without envelopes.

In the following year the first known picture postcard in which the image functioned as a souvenir was sent from Vienna. The first advertising card appeared in 1872 in Great Britain and the first German card appeared in 1874. Cards showing images increased in number during the 1880s. Images of the newly built Eiffel Tower in 1889 and 1890 gave impetus to the postcard, leading to the so-called “golden age” of the picture postcard in years following the mid-1890s. Early postcards often showcased photography of nude women. These were commonly known as French postcards, due to the large number of them produced in France.

 

Source: wikipedia.com

Postcards from London

The city of London is the star of this collection of fifteen engaging stories from author Tim Walker. Drawing on the vivid history of the city where he has both lived and worked, Postcards from London celebrates the magnificently multi-faceted metropolis that is home to 8.8 million people.

Imagine Iron Age fishermen, open-mouthed to see Roman galleys, rowed by slaves, dropping anchor at their village – a place the Romans would turn into the port and fortified town of Londinium. These Romans were the first of many men of vision who would come to shape the city we see today.

London’s long and complex history almost defies imagination, but the author has conjured citizens from many familiar eras, and some yet to be imagined. Turn over these picture postcards to explore his city through a collage of human dramas told in a range of genres. See the tumult of these imagined lives spotlighted at moments in London’s past, present and, who knows, perhaps its future.

Each postcard on the front cover relates to a story inside the book…

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